Howl’s Moving Castle
This week I went with an author I was familiar with: Diana
Wynne Jones. I have previously read her Chrestomanci works. This novel had the
same familiar flavor of writing that I was quick to fall in love with. In this
particular novel Jones plays around with the female protagonist stereotype and
that of the witch. Much of early media had females playing relatively meager
supporting roles, almost taking the place of objects rather than characters. With
the image of witches, they were often elderly and displayed as evil.
Sophie is not the typical
female character, partly due to the fact that she spends a large part of the
novel in the form of a very old woman. This precipitates some very interesting speculation
about the nature of the relationship of age and women and society’s perception
of such. It can be derived from not only our current society but our past one
as well that age has always seemed an obsession around women. Culture places a
large importance on beauty and to many age jeopardizes this. Just looking at advertisements
targeting women we can see this (especially makeup). We find later in the novel
that it is hinted that in fact it is Sophie herself that is keeping herself
old. From this entry I took it as a deeper meaning of a person being there own
worst critic. In other words, we are harder on our selves than others are on
us. Sophie was much more obsessed with her state than anyone around her, to the
point that she believed she was an old woman and had accepted it. It was also because
of her state that she believed Howl could not possibly be interested in her romantically.
I found myself connecting
with Calcifer the most, because of the nature of his position for much of the story:
the fire place. He is rooted in a stationary place yet plays a large part in
the dialogue. I grew up as a single child at a house that was placed a long way
away from other children my age. Such a situation makes me liken myself to Calcifer
because I was limited to my homestead for much of my young life. I still took a
part in others lives, yet felt rather trapped geographically.
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